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Not Community Arts!

by Leegriffiths @ 2007-02-09 - 16:54:12

What IS it?

It's important to create a context for what you do, for 'how you choose to waste your time', as the wonderful artist Tsing Tzhe once said to us.  For us at Friction what we do, how we do it, who we do it with and why we do it are all equally important.  We are utterly committed to making the kind of work we do, in the world and with people, and convinced of it's relevance in everyone's lives.

Miss-Stories
'Community Arts' as a label is rather misleading.  It lends one to think of workshops, face-painting and, God forbid, murals.  This is not what the Test Bed artists, or Friction for that matter, are about, we aim to challenge our audience/participants.  For example, we might be asked to deliver some DJ workshops for young people.  We would normally refuse and, rather suggest some music composition workshops or performance poetry or any number of more creative options.  In my humble opinion we need fewer DJs and more perfomance poets...

 For too long art made with people has had a reputation as not being 'proper' art.  Proper art is what you find in a gallery or a museum, not on a housing estate or in a shopping centre.  We see galleries and the like as 'zoos' for art and are concerned with freeing it, so it can be experienced properly, instead of merely being examined by a minority of 'enthusiasts'.  Indeed we talk about 'trainspotter' art, i.e. art that is only enjoyed by a small group of initiate hobbyists, these are the people that inhabit 'private' views.  An interesting use of language in itself that is inherently exclusive - only an initiate can go to a private view, no mere member of the public would be welcome, for sure.

So, we often use the term 'participatory' when describing our work.  People are always involved in our work, beyond the ego of the artist, perhaps in the making or performing of the work, perhaps there is an interactive element to the fininshed piece, whatever, they are rarely passive observers.  Perhaps a better term might be that we make 'active' art.
This is the kind of work we are intending to promote via the Test Bed project.


 
 

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Harry Palmer [Visitor]
http://www.knex3.org
2007-02-12 @ 16:53

Hello. Harry Palmer here. I am one of the artists commissioned to work on Test Bed. The work I do is eccentric eclectic from performance activity in rowing clubs to allotments to bridges, car boots, village Halls, the streets - lots of collaborations in lots of different art forms. I currently co-publish The Eccentric City - The world's first dedicated eccentric newspaper.

Like Lee, I am interested in the atomic nature of the person - that is, I work with people not as a community artist, but as a potential for ordinary explosions - that which is conveyed with tremendous ordinary conviction - is far less mediated than attempting to out-do someone or something for the sake of reinforcing 'the powerful'. I talk alot at present about ethos and ethics - they are key to the work that I make.

For Test Bed I am creating four new short films about peoples 'signatures' - what meaningful and resonant pieces of paper have they signed for in their lives? From my initial conversations and recordings - these films will feature inner city inner worlds...I look forward to my exploration with the people of Birmingham (a place where I live and work).

-Harry Palmer.

Sandra Hall [Visitor]

2007-02-15 @ 14:29

OOps - please see my reply to 'shopping shopping shopping' this was really a reply to 'not-community arts' - or at least a comment on it - oh dear i'll get the hang of this eventually. Regards for now, Sandra.

George Saxon [Visitor]

2007-02-24 @ 00:30

Test Bed Engineer reporting:

Hi it’s George Saxon here. One of the ‘artist’ personnel…

So I’ve been trying to solve this problem which in essence is simple but the route is complicated and fraught with problems. I wont go into that right now…that belongs to role play, I think.
By the way, I like the bit about 'zoos' for (proper) art. I've always resisted where I can working in such places...proper art can be seen found and heard anywhere. Sorry, I digress..

So essentially I’ve been trying to develop my idea for test bed…
The last two weekends I’ve been planning to spend some time in the Curio shop and hang around the shopping square at Five Ways, just watching, photographing, filming and observing. I’d also been planning and intending to stay overnight. So last Friday was to be my first overnight stay...
Unfortunately, I think I just got a bit scared about staying there on my own at night…(yes I know, I’m a scaredy cat), also the ideas began to get confused and I was running into problems. By dusk, having spent a number of hours working through ideas and filming some tests, I abandoned my overnight vigil.

Today, Friday. A well planned and prepared overnight stay; camp beds, sleeping bags, food, equipment, extension leads and I even managed to drag Alice (my daughter) to spend the night at the Curio Shop (to hold my hand incase there were sounds and noises that made me jump). There, that’s the ‘essense’.
I’d phoned you earlier today and you said that Sandra, Harry, Simon and all were there at the Curio Shop. So of we went…Alice and I arrived, it was like seeing long lost friends again, and the work I intended to do went out of the window – well some of it anyway.
We all started talking to each other about what we were planning to do on the project…ideas, doubts, exchange!!! It was just what I needed, there was such a buzz around the place as we all got involved talking to each other, just being there, thinking, working and making loads of cups of tea.
The energy and electricity was amazing and It suddenly felt unnecessary to work through my well planned and well intentioned vigil. All my plans are subject to interruption and change, anyway.

It is often so rare that you experience a genuine flow of exchange as we were immersed in our “activity” developing the various strands of the poetics of our ideas.
It was as things should be - artists working together and participating in each others ideas…

So my well intentioned vigil has now been postponed, but not indefinitely.
I might even be nearer to solving the problem. But then tomorrow’s another day.

Great to see this blog Lee.

Geo.

julie o [Visitor]

2007-03-20 @ 16:34

How doo. As a do-er on the Test Bed project (yes i think capitals are needed)I thought id put my two pennyworth in. The talks from the other 'do-er's have been pretty good, giving colourful insight into the varied approaches of practice, and (sometimes) offering a glimpse of the deeper character. Its quite refreshing to find the space where people can chat, talk and show their work/ideas in whatever fashion they desire. The talks have visually been highly contrasting/pieces of work in their own right? and why not. Think of the beautiful, deliberate and paced stage set for Mark Storer's talk in contrast to say Julie Oneills short and perhaps slightly cryptic showing of snippets of her live work experience..opportunities to show work in a setting which i feel has a distinct lack of pretentiousness pressure in the air, can only be a good thing. Which reminds me: of the words: 'freedom of expression/expression of freedom'..My own research process for Test Bed has been suitably undulating, imagine a small wooden boat, with one oar and a small leak under the seat, pushing its way over a sometime choppy lake..hmmn. Amongst other duties i have been: Attempting to initiate, develop and nurture a 'relationship' with staff of Birminghams department of work and pensions, local shop owners, walking, watching, gathering, talking, interviewing and am now left sitting in the front room on the carpet,surrounded by an assortment of detritus (evidence)...which is of course the body of work.
Last but never least..such opportunities as Test Bed attempt to gather together active and interested people who often will then go on to, plan, plot, scheme and conive further happenings and eventfull occurances together.
Lovely.

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